Jazz Night w/ The Westerlies

Bootleg Theater Presents

Jazz Night w/ The Westerlies

Chris Speed Trio, The Alexander Noice Sextet

Sun. August 21, 2016

8:00 pm

Bootleg Theater - Bar Stage

Los Angeles, CA

$7.00 - $10.00

This event is 21 and over

The Westerlies
The Westerlies
The Westerlies ("prevailing winds from the West to the East") are a New York based brass quartet comprised of four friends from Seattle, Washington: Riley Mulherkar and Zubin Hensler on trumpet, and Andy Clausen and Willem de Koch on trombone.

The Westerlies' sophomore release showcases the quartet in a boldly personal setting, presenting original music by each member of the ensemble in vivid sonic detail captured by GRAMMY-winning producer Jesse Lewis (Silk Road Ensemble with Yo-Yo Ma, Roomful of Teeth, Brooklyn Rider, LA Phil). Following their critically acclaimed debut album Wish the Children Would Come On Home: The Music of Wayne Horvitz, this project further explores jazz, folk, and chamber music influences to create the rarest of hybrids: music that is both "folk-like and composerly, lovely and intellectually rigorous." - NPR Music.

Equally at home in concert halls and living rooms, The Westerlies navigate a wide array of venues with the precision of a string quartet, the audacity of a rock band, and the charm of a family sing-along.
Chris Speed Trio
Chris Speed Trio
He'll be joined by Eric Revis on bass and Matt Mayhall on drums

Chris Speed is a composer, clarinetist and saxophonist..

- and is “one of the principal figures in a dynamic left-of-center jazz/improv scene in the city” (NYTimes). His own bands include Endangered Blood, Human Feel, yeah NO, Trio Iffy, Pachora and The Clarinets. He is a founding member of Jim Black’s Alas No Axis and John Hollenbeck’s Claudia Quintet (two of the most influential working bands today), works with Uri Caine (deconstructing works by Mahler, Mozart, Bach, Schoenberg, Gershwin) and maintains a busy career of touring, recording, performing, composing, practicing and teaching. Current projects include work with Craig Taborn's Heroic Frenzies, Michael Formanek's Ensemble Kolossus, Dave King's Trucking Co., Matt Mitchell Quartet, Mary Halvorson's Reverse Blue, Banda de los Muertos (NYC’s only Banda band), as well as touring his latest project, Endangered Blood (with Black, Trevor Dunn and Oscar Noriega) which was featured on NPR’s Tiny Desk Concerts in 2012. (Endangered Blood 2010, Work Your Magic 2013 Skirl). “Speed’s Endangered Blood originals stand out as his most melodically generous, accessible and warm batch of compositions he’s yet to produce.” -DownBeat ****

Born in 1967, Speed grew up in the Seattle area where he met future colleagues Jim Black and Andrew D'Angelo, all of whom ended up in Boston in the late 80's where they formed Human Feel with guitarist Kurt Rosenwinkel. (Scatter 1992, Welcome to Malpesta 1994, Speak To It 1996, Galore 2007). While in Boston he studied at New England Conservatory and graduated in 1990. By 1992, after a short tour with the Artie Shaw Band (led by Dick Johnson), Speed moved to New York City where he started working with Tim Berne’s (now legendary touring band) Bloodcount. (Unwound 1996, Discretion 1997, Saturation Point 1997, The Seconds 2006).

Throughout the nineties his formidable improvisational approach on both tenor saxophone and clarinet contributed to other pioneering NYC bands including the Dave Douglas Sextet (Witness, Soul on Soul, Sanctuary, Stargazer, In Our Lifetime), Myra Melford’s Same River Twice (Above Blue, Where the Two Worlds Touch) John Zorn (Bar Kokhba, Trembling Before G-d) and Mark Dresser’s trio with Anthony Coleman.

As a member of Pachora (with Black, bassist Skuli Sverrisson, and guitarist Brad Shepik) Speed became known as one the leading NYC musicians adapting the odd time signatures and melodies of Balkan music into jazz-based music. Pachora was formed in 1992 to play music from Bulgaria, Greece, Macedonia, and Turkey, and evolved into an original music ensemble that toured North America and Europe extensively. (Astereotypical 2003, Ast 2000, Unn 1999, and Pachora 1997. His fluency with East European folk music is also documented with the more traditional Slavic Soul Party, which he was member of from 1996-2004. In addition to touring America, they spent 2 weeks in Macedonia with Rom musicians and recorded “In Makedonija” (Knitting Factory Records) at an underground radio station in Skopje.

His critically acclaimed improvisational trio The Clarinets (with Oscar Noriega and Anthony Burr and featured on NPR’s Fresh Air) explores the possibilities of the clarinet (multi-pitch tones, timbre deviation) in the context of group improvisation. This group blurs the boundary between composed chamber music and experimental improvisation and creates an acoustic ambient music of unusual grace and beauty. (The Clarinets 2006, Keep On Going Like This 2012)

Speed formed the band yeah NO in 1996 as an experiment in decoding and scoring out improvisations which inspired an unusual book of music that also fused elements of free jazz, modern rock, eastern folk and minimalism. After the debut record in 1997, they thrived in the center of new music in NYC, performing frequently at the previous Knitting Factory(s) and (the since closed) Tonic. They toured the States and Europe and have four recordings. (yeah NO 1996, Deviantics 1998, Emit 2000, Swell Henry 2004)

Speed was named the rising star clarinetist in Downbeat magazine for 2004, 2005 and 2006, was the recipient of a NEA composition grant in 1993, and in 2004 was the guest soloist at the Copenhagen International Jazz Festival working with over 10 different cutting edge Danish bands.

In April 2006, he launched Skirl Records, a label dedicated to Brooklyn based creative music, now with 31 releases. “As a document of the fertile Brooklyn scene, Skirl has few equals, skirting the boundaries between jazz, rock, electronic, classical and improvised music.” AllAboutJazz
The Alexander Noice Sextet
The Alexander Noice Sextet
Known for his highly personalized style of composition, which organically draws from rock, jazz, classical, and electronic music; composer and guitarist Alexander Noice has been singular musical force in the Los Angeles creative music scene for the past decade. Having performed extensively in Europe, Japan, Australia, and South America with a myriad of ensembles, Noice's eclectic musical output has made him a distinguishable artist locally and abroad.
His latest project, The Alexander Noice Sextet, an inimitable modern ensemble melding the worlds of classical minimalism and contemporary opera with rock and jazz; has made a notable impact on the Los Angeles music scene with their stunning live performances. With an affinity towards Reich-like minimalism, Stravinskyan episodic shifts, and lyrical melodic sensibilities derived from the pop worlds of the Talking Heads and David Bowie; Noice creates a sound with his ensemble that defies any pre conceived genre. The Alexander Noice Sextet is set to record in the summer of 2016 for their debut release in 2017.

"uncategorizable guitar phenom" -LA Weekly

"known for its sudden shifts from Balkan melodies to abstract modern music to full-on punk rock, all within seconds of one another. The music sounds like a DJ’s crazy, psychedelic remix, only the sextet is doing everything live" -LA Weekly
Venue Information:
Bootleg Theater - Bar Stage
2220 Beverly Blvd
Los Angeles, CA, 90057
http://www.bootlegtheater.org/