SUPER TIGHT feat. Rodrigo Amarante + more

Hot Dad & Bootleg Theater Present

SUPER TIGHT feat. Rodrigo Amarante + more

Fat Tony

Sat. August 26, 2017

8:30 pm

Bootleg Theater

Los Angeles, CA

$12.00 - $15.00

This event is all ages

Art:
JJ Stratford
Galen Pehrson
Peggy Noland
Ambar Navarro
Tempe Hale
Claudia Mate


Music:
Rodrigo Amarante

Fat Tony

Comedy:
Jamie Loftus

And a very special limited edition poster by Josh Fadem with all proceeds going to The David Lynch Foundation.

Rodrigo Amarante
Rodrigo Amarante
This is my first solo record. It was made during an unexpected but very welcome exile, in a land I wouldn’t predict I’d moor my boat for long but that, given such difference and a refreshingly nameless arrival, gave me the opportunity to re-cognize my nature, to recoup my ascendance and to disclose a new perspective over myself. It was as a foreigner, separated from others and yet still somehow attached to the furniture I had left behind, bits of myself I hung up around me like dead mirrors I could no longer turn my face to, that came to focus the beauty of the empty room ahead, a hint. I became enamoured by space, by distance, and began to see the double that looks at me from the outside, that reflects the vision I call mine, vehicle and invented accomplice to which I am also a channel, the one I name Cavalo.

I have always felt like a foreigner, imagined myself as an explorer, moving from city to city every three years as a kid, pretending to have the forbearance and courage i ended up forging while secretly carrying the resentment of the imposed detour, of the wait to return. When I finally arrived back in Rio no longer a child and with an accent three times tampered I realized that my home town was mine only because I had invented it, its memory a dream of smells and hope that didn’t exist in space, maybe in time. I discovered myself a stranger, what I had been since I first left, what I knew I would forever be. And it was light and warm, I felt free and grateful, strong, and like this I departed again. I ended up finding myself in a type of desert, happy to be alone, overwhelmed with the void, with silence, the place where I wrote these songs from. I believe that everybody can feel foreign in one way or another, in the way that they feel they’re perceived by others, in their bodies, their streets, in their fate perhaps, so I dream that this vehicle, an unpredictable mirror that i fill, that serves me and that moves me, can also move you, serve yet others, with luck.

To give room to this double that appears as an echo, that shows itself with distance reflected, I opened up space as much as I knew how, subtracted all undue, threw adjectives away and using different languages I was forced to a new conciseness, gathering codes that wouldn’t always be understood as a whole and therefore can create other spaces, allow diversions, inventions. I also threw away the cover. Everything that was inside protected by the cover came out, became exposed, clean of directions or colors, unashamed, open. And the simple beauty of the page revealed itself, black and white that we like to use as a synonym of things clear and exact but that is where the infinite delight of interpretation resides, where the biggest gap is, a lacuna. Inside only the music. And there was yet another separation, another double: inside and outside, the thing and the name of the thing, me and the notion I have of myself. Between one and the other the open hand, the train at the station, an opening in the veil, your own dream. With luck!

Thank you for the chance.

R. Amarante
Fat Tony
Fat Tony
Fat Tony stands at the forefront of new generation of young rappers who get it themselves—a DIY hustler who's built his burgeoning career on a foundation equal parts smarts and swagger. The Houston MC owns the mike with a casual confidence, workmanlike in his delivery whether laidback or lyrical, embodying a new brand of enlightened Southern that's as likely to tip back some lean on your front porch as sit down and school you on Dadaism. Through his simmering solo work and boundary-busting collaborations with Das Racist and A$AP Rocky, among others, Fat Tony has already launched a legacy.
As a first-generation Nigerian-American raised in his city's historic Third Ward, heritage has always been important to Fat Tony. One of his earliest memories is of a parade of black cowboys riding down the local main street on MLK Day, blaring the good doctor's speeches over zydeco tracks. His childhood home was filled with records—King Sunny Adé and Jimmy Cliff from his father's collection, his mother's jazz and soul, Granny's gospel. He watched countless hours of music television as a kid, got his first drum kit at 8, and pummeled it to pieces shortly after seeing Nirvana on MTV.
Fat Tony became a key player in the Houston music scene as a young teen. Inspired by the independent spirits he looked up to—from the Ramones and the Germs to UGK and Slum Village—he began throwing
shows at local venues and friends' houses. He booked bands of all types from all over, hand-made flyers and mailed them to addresses nabbed from the student directory. Meanwhile, he toured regionally and
earned a rep as a fierce performer, eventually racking up four consecutive annual "Best Underground Hip-Hop" awards from the Houston Press while studying communications at the University of Houston.
In 2010, Fat Tony self-released his debut album, RABDARGAB, a sharply stylish set named after a local literacy campaign from his youth: "Read a book, do a report, get a buck." In keeping with the theme, he offered to send a dollar bill to anyone who listened to the record and wrote it up. (He wound up sending out $27.) Shortly thereafter, Das Racist reprised and rapped over the Murs-featuring "Luv it Mayne" for their Sit Down, Man mixtape, and legendary screw DJ OG RON C offered his "chopped up, not slopped up" version of the record, SCREWDARGAB, in 2011. In 2012, he released collaborative album Double Dragon with Tom Cruz. 2013 saw the release of his critically acclaimed sophomore album Smart Ass Black Boy. Tony's "No More" b/w "Love Me" (f/ Maxo Kream) limited edition 7" single was released with Volcom Entertaiment in April 2014. Subscribers to Volcom's vinyl club received a special colored record limited to only 300 copies.
A veteran in his 20's, Fat Tony knows the two most important principles of creativity: 1) no matter where his music takes him or what others may say, he alone is responsible for the quality of his work, and 2) in the man's own words, "It's good to be good."
Venue Information:
Bootleg Theater
2220 Beverly Blvd
Los Angeles, CA, 90057
http://www.bootlegtheater.org/