Petal & Camp Cope

Sid The Cat & Bootleg Theater Present

Petal & Camp Cope

Sidney Gish

Fri. July 6, 2018

8:30 pm

Bootleg Theater

Los Angeles, CA

$15.00

This event is all ages

Petal
Petal
Despite our best efforts, there are some things we just can’t outrun. Everything catches up to us in the end, no matter what we do to hide from it. It’s a reality that Petal’s Kiley Lotz examines on Magic Gone, the band’s latest full-length album on Run For Cover.

Recorded over the course of a month at Studio 4 in Conshohocken, PA, Magic Gone is a bitingly honest look at adulthood, accountability, responsibility, mental health and the difficulties that go along with each of them. “I was a closeted queer person struggling with chronic mental health disorders,” says Lotz of the three year period that inspired the album. “There comes a moment where all the paranoia, anxiety and pain become too much and you realize the structure you built to survive is no longer is going to serve you. I had to make some very big life changes to make sure I didn’t die. It was not easy taking that level of control over my life after spending many years worrying about upsetting others and being the best and most successful person I could be.”

That’s not to say that the last few years have only been negative for Lotz - there were a lot of great moments, too. She moved from New York City to Philadelphia, changed her focus from acting and theatre to music, toured with Julien Baker, Slingshot Dakota, and Kevin Devine, and chose to come out and live openly as queer, which she looks back on as one of the most beneficial decisions she’s ever made. “Coming out was the beginning of a long and continuing process of self actualization, of taking a hard look at myself and the problems I had, and how I could fix them,” says Lotz.

Still, the highs of her rapidly changing life weren’t able to outweigh the lows, and in early 2017, Lotz found herself hitting a breaking point. Her mental health was rapidly declining, and after a relapse of suicidality, she made the difficult decision to prioritize her health above all else and move back to her hometown to enter intensive treatment for her major depressive and panic disorders.

It was that duality - the valley between the positives and negatives of life that she’d experienced - that inspired Magic Gone and its two halves. Side A, titled Tightrope Walker, features songs Lotz wrote before entering treatment, while Side B, Miracle Clinger, is comprised of songs she wrote in recovery. “I think those two parts of me are what kept me alive,” Lotz explains. “I became so skilled at the act of getting through every day that I trusted that ability, but knew if I slipped I could face a bad end. Still, I couldn’t help but have faith in myself and people and God and that things could be better, even though I felt so lost and hopeless.”

The culmination of it all is an album that showcases Lotz’ prowess as both a vocalist and a songwriter, drawing equal influence from ‘70s powerhouses like Queen and Nina Simone as it does modern vocalists like Solange, Margaret Glaspy and Mitski. Producer Will Yip distills Lotz down to her purest form, lending an unprecedented rawness to her sound. Themes of duality even make their way into the album’s instrumentation, specifically in Lotz’ decision to include church organ on it; playing organ was a huge part of her life growing up, and to this day the sound of it inspires both comfort and fear in her. Track by track, the singer transforms her vulnerability from a curse into a tool with which to examine both where she went wrong and where she went right in her struggle for survival. Lotz offers a lesson for each of us on having the courage to face our demons and make the best choices for ourselves. “Really feeling what it’s like to be completely heartbroken, instead of just pushing it down so deeply, allowed me to see the true strength in vulnerability. That acknowledging pain, struggle, loss and heartbreak, is strong. That being out is strong. That being ill takes strength all it’s own.”
Camp Cope
Camp Cope
Born in a backyard in Melbourne over home job tattoos, Camp Cope – Georgia Maq (vocals, guitar), Kelly-Dawn Hellmrich (bass) and Sarah Thompson (drums) – discuss real life working shifts in a hospital, living in rundown share houses in Footscray, being in love over long distance and what it’s like to be a woman in the world.

Camp Cope have toured tirelessly since their inception: shows with Modern Baseball, Screaming Females, PUP and Cayetana, a headlining slot on Weekender Fest, a national Laneway Festival spot and Golden Plains, and a string of their own sold out shows, including two sold out shows at Sydney Opera House as part of Vivid LIVE 2017. Their stunning self-titled debut album is still receiving praise from all corners of the world from the likes of Pitchfork, Stereogum, DIY and FasterLouder, who rated it their #1 album of 2016. Their recently released split with Cayetana features their new single ‘Keep Growing’, which Brooklyn Vegan noted as “even more proof that this is a band that deserves your attention.”

In September 2016, Camp Cope together with bands and musicians from Australia and abroad united for the It Takes One campaign to say enough is enough: no more sexual and physical assault at shows. The campaign continues to drive conversation around safe spaces at shows, mostly recently with the announcement of the Hotline initiative at Laneway Festival.
Sidney Gish
Sidney Gish
"Sidney Gish is a 20-year-old college student whose music blends the jangly anxiety of anti-folk with the formal melodics of more conventional singer-songwriter-core. She has self-released two full-lengths so far, the most recent being No Dogs Allowed, which dropped via her Bandcamp page on New Year’s Eve. Shortly thereafter, it started to spread around DIY rock circles and beyond. Though not technically a debut, No Dogs Allowed is one of the more genuinely refreshing breakouts in recent memory. A lot of this has to do with Gish’s knack for turning the chronic self-awareness of the post-adolescent psyche into lilting, lyrical gold. Her breathless poetry strikes a good balance between indulging insecurities and laughing at them; it’s very serious about taking nothing very seriously."
Venue Information:
Bootleg Theater
2220 Beverly Blvd
Los Angeles, CA, 90057
http://www.bootlegtheater.org/